Private Plays on Mainspring Arts

I have created 3 new online Private Plays for Mainspring Arts.
http://www.mainspringarts.org.uk/private-plays

The first one launched on 26 October and is called Faces.

The next two follow on 2 November and 9 November respectively.
They can be read here on the above dates.

Some extra info on the project can be read below, but please visit the Mainspring Private Plays website for full info and details –

Private Plays are intimate performance encounters that take place in unusual settings. These three exciting new plays have been created exclusively for Mainspring Arts by writer, artist and animator Steven Fraser, who is also founder of Do It Theatre.

Private Plays are designed specially for autistic people – although you don’t need to be autistic to read and enjoy them. These three plays – Faces, Touch and Talking – all take place in your home.

Stay Together – Disability Arts Online

I have created a new online Private Play for Disability Arts Online.
It is called Stay Together and is available now.

illustration of a hand holding a mobile device

The idea is to download the digital zine and read it on your phone.
Full info can be read below and you can download the zine here.

Private plays are intimate performance encounters where the audience read illustrated performance scripts that are presented in a zine. Zines are self-published booklets that cover a wide variety of topics and tend to be made by marginalised people.

With Stay Together, the idea is that you read the script, follow the instructions and act out your own performance. Private Plays usually occur in strange and atypical settings, where the location acts as a stage or set. Stay Together happens in the home of the reader. The zine is digital and can be read on a mobile device or smartphone.

I created Private Plays as I wanted to present experimental and unusual performances in a format that was comfortable to me, as an autistic and queer person. I decided to create text-based performances that people could read and act out by themselves. I felt that this was more of an autistic considered approach to experimental and intimate performance. Uncomfortable stimuli associated with busy and unwelcoming performance spaces are removed. All that is left is the text and the reader.

In the past I have presented Private Plays in different formats. I have created art installations that work as a set. I would leave objects, puppets, props and items in the installation space that people could interact with. This format of working takes up a lot of space and requires a lot of time, planning and also some funding. It also requires acceptance and interest from venues and festivals who look to programme more experimental and inclusive autistic led work.

I have a DIY approach to my art. I am drawn to self-starters, self-publishers and people who create art with very little time and resources. I am drawn to creating zines, as zine makers produce work outside of traditional publishing. Zines feel more inclusive and exciting to me.

During a time of self-isolation, social distancing, quarantine and COVID-19, I feel that the Private Plays approach to performance has a wider appeal.

This is also a time of activism, inclusion and conversation. With Stay Together, I wanted to create something intimate, personal and something that recognises the need for human connection. I feel that these things are important now more than ever.

Be My Friend, Please – Mini Zine

This mini-zine is a performance in a zine that looks at loneliness when you are autistic. The story tackles friendship and asking for help. The zine itself features illustrations and instructions on how and where to act out the story (but as with the other performances in the mini-zine series, you can do it wherever you please).

Be My Friend, Please is available at – https://www.etsy.com/uk/listing/532370792/be-my-friend-please?ref=shop_home_active_16

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Letters We Leave Behind at Paisley Arts Centre

Recently I did a 2 week residency at Paisley Arts Centre.
Here I spent some time developing Letters We Leave Behind. The performance is now at a stage that I can present it to an audience. I will be doing this in Dundee and again in Paisley soon (more info on both later). Below is a blog post that I wrote for Paisley Arts Centre. I wrote this to explain my thinking behind the show and to describe what I got up to during the two weeks.

My name is Steven Fraser and I am an artist, writer and animator. I create performances where actors and performers are absent. Only the audience and a facilitator is present. It’s an experimental form of performance that I have been developing for several years. I present this work under the name Do It Theatre. The idea stems from my relationship to autism and how to present transgressive and subversive performance for an audience who express neurodiverse behaviours. I call this form of performance Private Plays and have previously presented my work at various festivals and events including the Hidden Door Festival in Edinburgh, Sydney Fringe Festival Australia, New Diorama Theatre London and Glasgow Zine Library, amongst others. For Out of Place Festival and my 2-week residency I wanted to further develop this form of experimental theatre and use interactive puppets within the space with a new performance called Letters We leave Behind. I began developing the idea for ‘Letters We Leave Behind’ 2 years ago after I was awarded a Starter For Ten commission from the National Theatre of Scotland. I used this award to develop my puppet making skills and wanted to fully utilise this during my time in Paisley.

Private Plays are unique live art encounters where participants read illustrated performance scripts within installation spaces. The participants read the script to themselves and the illustrations and the location spark the reader’s imagination. It is performance without performers, loud music, sound and mood lighting. The uncomfortable stimulus, that may affect people who live with autism, has been removed to create an original experience. Private Plays open up live art to new audiences, as the performance is presented as text that audiences can follow. For Letters We leave Behind I wanted to remove the performance script and have the text in a series of letters that are left within the performance space and held by 5 puppets. The letters were written to be read in any order, so it is up to the audience to dictate the pace and flow of the show. This technique makes the show more interactive and gives the audience the chance to experience Letter We Leave Behind in a different way.

The concept of Letters We Leave Behind is that the are 5 different interactive puppets present in the installation space. They represent 5 different people that have entered the life of the participant (I call people who view the show participants). The puppets are each holding letters and each letter gives advice to the participant and imparts a story.

I began my residency by thinking about space. I had already partially created 5 puppets for the show, but needed to see how they would fit into the space I had been given. From here I would adapt the puppets and work out how people would interact with them. I moved the puppets around, attached strings to them, pushed them, pulled them and dragged them around the room. I realised that this wasn’t working and discovered that leaving the puppets alone and giving instructions to the participants to interact with the puppets as they see fit may work best. If people want, they could pull the strings harshly. The puppets have been designed to have long limbs and be sturdy, so strong physical interaction is possible. Participants may wish to leave the puppets alone and just read the letters. All options are available and valid and can be determined by the participant.

During my time I added details to the puppets and considered how they would each hold the letters. Each puppet has a box and in their hands that contains the letters. I adapted the boxes to be more obvious and to ensure people knew to take the letter. This gives the show a nice flow. People will not be left confused at what to do and can go to any of the 5 puppet to take a letter.

During my residency I also adapted the letters. I thought about how to present the text and how the letters should be written. One letter is presented as a small zine, another is a poem. I thought about the nature of letter writing and how personal and intimate letters are. This helped convey the themes of the show. I am interested in intimacy and solitude in performance and letters seem to reflect this, due to their personal and private nature.

After thinking about space, puppets and the letters, I also created some props for the show. This included small boxes that presented mechanical flipbook animation. These props were created to draw the eye of the participant and lead them around the space. The final stage of the residency was a sharing to gather some feedback before I can present the show to an audience. Here I witnessed how people interacted with the puppets and moved around the space. I realised that people connected with the letters. It was very pleasing to see people sitting down and taking time to read what was written. Some participants also interacted with the puppets, but not in the harsh violent ways that were possible!

Overall I learned a lot about Letters We leave Behind. People seem to comment on the darkness of the show and still mistake autism as affecting only children (my shows are for adults and include mature themes). I understand that presenting puppets in performance there will be strong links to children’s theatre, however the themes and presentation of the show subvert and present something different that will hopefully make participants think about the topics of Letters We Leave Behind.

I am looking forward to take the show further and consider new props to include in the installation and new locations and venues to stage Letters We Leave Behind. My time at Paisley Arts Centre made me realise I have a powerful show that is presented in a unique and interesting style.

Dundee Zine Fest

I will be selling some zines at Dundee Zine Fest on Saturday 03 November 2018.

I will be selling the zine for Delay, Ten Little Memories and two brand new zines! Addicted To Loneliness and Uncomfortable Sex with Total Strangers. The latter is a performance zine and the former features stories, essays and photographs.

Dundee Zine Fest takes place from 11am untill 4pm at –
Dundee West Church
130/32 Perth Rd,
Dundee DD1 4JW

 

 

 

 

Delay at Queer Art(ists) Now exhibition in London

Delay will be showcasing at the Archive Gallery in London as part of an exhibition called Queer Art(ists) Now. The exhibition is takes place during the And What? Queer Arts Festival 2018 from 11 – 14 October 2018. Information below –

DELAY

October  11 – 14 2018
Archive Gallery , London

Delay is part of the Queer Art(ists) Now exhibition as part of the And What? Queer Arts Festival 2018.

Delay is a show in a Zine .

Venue
Archive Gallery
MillCo Project.
Rose Lipman Building
43 De Beauvoir Rd.
London
N1 5SQ